“Filament” Set For Release 2/19/2016


On Friday 2/19/2016 Broken Glow will release “Filament,” the band’s brand new full length album! Featuring 9 never-before recorded tracks, this is the band at their best. The tunes were recorded during the summer of 2015 at Habitat Noise Studios on Wilmington Island, GA with Donald Moats (Coeds, Sins Of Godless Men, Habitat Noise, etc) and feature new member Chris Horton on guitars and background vocals.


The band will host a release party at Southound Brewing Company is Savannah, GA on February 19th, 2016. To commemorate the event, Broken Glow has paired with the brewers at Southbound to create their very own custom brew, on tap at the show! BBXF opens the show with their riffy modern rock, Chazito’s food truck serves up hot food, Planetary Projections will be inducing lucid dreams and Rock 106.1 will broadcast live from the event. $15 gets you in admission to the show, a custom BG/Southbound pint glass and drink tickets, and the first 20 through the door get a free copy of “Filament!” Get your tickets in advance at here.

And if you just can’t wait, check out “Blue Dream,” one of the brand new tracks from “Filament,” streaming right here on Reverbnation!


It’s Official : Broken Glow to Release New Album “Filament”


After months of anticipation, Broken Glow is proud to announce to release of their next album, “Filament.” The 9-track offering, available for download and streaming February 19th, 2016, features new material spanning the band’s full spectrum of stylistic capabilities. With the help of Dope Sandwich Productions, the band will be playing the entire album and throwing a massive bash at Southbound Brewery on the date of the release. To commemorate the occasion, a custom Broken Glow brew will be on tap for the festivities, and guest performers from around the Savannah music scene will be bringing the good vibes for everybody. Until then be sure to pump “Live Like An Animal,” keep your ears open for more news, including music videos, original album art and details about the show.



Long-time fans of Broken Glow have seen the band in various incarnations, from their beginnings as a riffy 5-piece in Connecticut to the current power trio line-up down in the low country of Savannah, GA. Through it all, Paul and Garrett have kept the flame alive for fans of fiery rock music. Last year Sara joined the group to fill out the vacant bass slot, and the release of “Live Like An Animal” in the summer of 2014 served to jump-start the band into a new-found groove and energy. Since that time the band has toured the northeast, played with killer groups around the south, packed out downtown clubs, entertained small house show gatherings, received airplay on Savannah’s Rock 106.1 and received a giant check (clearly the lifetime goal of any sane individual).

Now, on the heels of their Battle Of The Bands victory, Broken Glow is proud to announce that they will be recording a brand new full-length album this summer! With the help of local musician/engineer Donald Moats (Habitat Noise, Sins Of Godless Men, COEDS, etc), and producer/musician Christopher Horton (IAMSOUND) the band will spend 3 days tracking in a fully analog studio onto 2″ reel-to-reel tape. In case you’ve only ever seen a ProTools or LogicPro session, analog recording is the way of the past. Though the method has become more desirable in recent years as audiophiles search for the truest, warmest tone available, the limitations of tape recording can be daunting as digital editing exits the picture. Want to chop a track up? Better be savvy with a razor blade…



The band is excited for their first time utilizing this method of recording. When asked  about the decision to use a reel-to-reel recorder, guitarist/vocalist Garrett Deming had this to say. “There is always heated debate among engineers and music lovers between the audio quality of digital recording vs. analog. Some swear there is no discernible difference between the two methods, but others have differing opinions. I’ve always admired (record engineer) Steve Albini, who’s worked with acts like Nirvana, The Pixies, and Jimmy Page to name a few. He runs a fully analog studio in Chicago, and has a lot to say about the sound quality and process that go into and result from analog recording.

“For my money, I think of sound in terms of the physical waves, the actual material process of moving air at certain speeds. As such, the mechanical aspect of analog recording appeals to me. Whereas digital recording simply samples the waves that are being created and converts them into numerical data which is then translated into a replication of the original sound, recording to tape yields a direct mechanical representation of the physical waves being formed. There’s no piecing the puzzle back together after the fact, and I feel this results in a recording which is truer to the original take.”

While the idea of recording straight to tape is alluring, it also presents its own set of hurdles. Digital softwares such as ProTools allow for virtually unlimited numbers of takes, overdubs, editing options, post-production effects and pitch-correction. They also make transferring sessions from one location to another much easier than does a cumbersome, heavy reel of delicate film. Though the band acknowledges these benefits to the digital approach, they say the challenge is part of the fun. 

We only have so much time in the studio, only so much tape,” says Deming. “As such, we have to go in and nail our tracks on the first or second takes. That’s a lot of pressure when you’re spending time and money in a studio, but it seems to me that this is how rock n roll should be made. Not to a grid, chopped up and made perfect. You need the sound of a band in a room, that live, frenetic energy that only a live band can generate.”

Listeners should also expect some new tricks from these old dogs. “While the rhythm tracks will be the whole band playing in the same room live, we do have some room to overdub various instruments. Expect to hear my Hammond organ, some 12-string acoustic guitar, maybe some guest appearances from local Savannah music veterans.” These recordings will also mark the first Broken Glow tracks featuring bassist Sara Clash on lead vocals. A veteran of the NYC underground music scene, the Swedish songstress has flexed her vocal muscles in bands such as Skunky Sara & The Nuggets, punk duo Chicks Throwing Bricks, Savannah’s own Culture Vulture, and space-rock duo SubZero, to name a few. 

This is going to be the definitive Broken Glow album,concludes Deming.We’re going to pull out all the stops.” It certainly seems so. Tune in for more updates and announcements, including upcoming shows in Brunswick and Charleston, as well as new videos, local show announcements and a studio journal. 


Sidewalk Rock

For those of you who haven’t been paying attention, Broken Glow is a full do-it-yourself operation. From the band’s very first show in a Connecticut living room, to the self-recorded “Watercolors” EP and subsequent release bash in Brooklyn, the band has been self-booked, self-designed, self-reliant. This holds true even now, nearly six years into the band’s career. All photography, artwork and output comes from the dudes and their few true friends. Maintaining artistic control has been the main motivating factor, and the guys have learned over the years that if you really want something done, you’ve got to do it yourself.

Yet even towering titans of tumultuous tunes can get bogged down. Many hands make light work, so few hands must make heavy work. For other independent bands and artists this is obvious. When the burdens of promotion, booking, creative design, networking, and management all fall on the shoulders of a few individuals these relatively simple tasks on their own can grow into seemingly insurmountable lists of things to do, people to call, emails to write, stuff to get done. Adding to the load is that many of us work day jobs as we hone our respective projects, and simply keeping oneself in house and home means we devote full work weeks to tasks removed from our artistic goals, spending precious hours of inspiration behind work counters and office computers. Thus our mounting to-do list is now also heavily time-constrained, and we haven’t even figured in the actual practice of our craft. There comes a time when a somewhat larger organization becomes helpful, if not necessary, in managing the many aspects of pursuing a blossoming artistic career.

Broken Glow specifically has been engaged in various forms of collaborative organizing during their career, all the while keeping in mind the importance of artistic freedom. In the summer of 2010, the band relocated from Hartford, CT to Bushwick, the swinging hipster capitol of Brooklyn, NY at the time. All five then-members occupied a tiny loft on McKibbin St, and were shocked to find in their building an already-existing community of musicians, then dubbed the Potion Collective. They soon realized that most of the hundreds of residents of the large dual-building loft complex were young creative folk too, and they’d organized a loose association of resident creators that provided platforms for performance. In their same building was located Good Friend Electric, a hub of musical and cultural activity. Here the boys found weekly open mic events, showcases and multi-genre music events. The Potion Collective soon sponsored shows at outside venues, organized benefit events, arranged block parties and helped found Mustache Magazine, a volunteer-created cultural publication online and in print which focused on the bands in the scene. Everywhere around them, the members of Broken Glow saw their ideal DIY approach to making their own art being practiced by countless other musicians and artists. This was surely the right environment for a fresh band from out of town to find themselves in, and it was in this environment that “Watercolors” came to be released.

A lot has changed for Broken Glow since that time. Brenner’s death sent the group in separate ways for about a year, with Garrett moving to Savannah, GA to write and reflect. Though Andrew remains in Brooklyn to shred with Cousin Sleaze, it was only a matter of time before Paul joined Garrett in the Hostess City to continue doing what they do best: ROCK. Yet with a new, stripped-down identity and even fewer hands with which to work, the band soon realized what they had to do.

Pale Blue Dot DIY Collective, painted by Garrett Deming

Pale Blue Dot DIY Collective, painted by Garrett Deming

After a few months of getting a foothold in the underground rock scene of Savannah, Broken Glow has been pleased to see a familiar circumstance reemerging through the Spanish moss of Savannah’s SOFO area. In February of 2014, a wide group of variously talented artists and musicians came together under the monicker of the Pale Blue Dot DIY Music Collective. The idea is simple. Each member of the community has different skills, networks, and access to resources. As somewhat fledgeling professionals, many emerging independent artists don’t possess all of the skills, networks, or resources necessary to run a fully functioning organization on their own. However, if everybody involved pools their various talents, the collective can theoretically provide access to those skills, networks, and resources to the members of the community. One band may know a venue contact they can share with everybody, and then know that their show will be promoted. Perhaps someone needs to borrow gear while theirs is in the shop? Maybe this person is willing to pass out fliers, so long as someone with more skill designs it. The combinations are endless, but the central idea remains : if everyone does a little work, together we’ll have accomplished much.

Broken Glow has been heavily involved in the Pale Blue Dot Collective of late, having played three house shows in April with various PBD bands including Lion Slicer, Unicycle Escape Pod, Culture Vulture, Beneath Trees, Feary Teeth and Shapes & Their Names. They’ve seen packed shows at the PBD House, The Warehouse Loft and Emerald House. April 24th saw the release of Sunbeam Music & Art Magazine, a new publication devoted to the chronicling of Savannah’s current DIY scene. Included in the first issue are 3 written pieces by Garrett, as well as a few of his recent paintings. Certainly, sticking to the do-it-yourself ethic is one thing, but the do-it-together approach yields fruit too.

Rockin' till the sun comes up

Rockin’ till the sun comes up

It is with this sense of community in mind that the band continues to prepare more events for the coming months. Don’t miss the band at Barrel House South on May 17th with The Waits of Memphis, and stay tuned for more announcements in the coming weeks.

Savannah Remembers How To Rock


As we approach January 7th, the boys of Broken Glow are chomping at the bit to release “Taking It To The Hole,” a savage sampling of the band’s blistering live act. With less than a week to go, everyone involved is getting excited – Cousin Sleaze begins their trek from the northern New York winters, bringing fresh recordings and brutal new tunes to disciples of disastrous decibels everywhere; Mysterium sees the incomparable Sara Clash teaming with hubby Garrett to create free space rock, a sonic time machine set to the dawn of creation; Simon of Planetary Projections, having returned from an epic two-week tour with Omingnome, is bringing his A-game and his oils as he prepares to set the visual tone of the show through his psychadelic projection art. And of course, let’s not forget Jeff and Amy, the backbones of The Wormhole, Savannah’s undisputed best live dive. With the help of Drive Vibes we’ll be streaming the entire show LIVE across the world, so even if you’re not in the 912-area code you can catch the madness!

The press is paying attention, too. As Rock 106.1 spins “Sabrina” on Sunday nights thanks to Ryan of Underexposed, other press outlets are picking up on the magic going on south of Forsythe. For evidence, check out this article about The Wormhole on the Coastal Homestead website, and see this brand new DoSavannah interview with the boys themselves, Broken Glow. You really have no reason not to come to this extraordinary event – it all goes down Tuesday 1/7/14 at The Wormhole, and it’s FREE! We’ll be asking for a voluntary donation for Cousin Sleaze as their tour rolls on post-Savannah, and will have CD’s, art prints and other merch for sale. COME ROCK!

The Haunted Time Machine: Art March Savannah After Party

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This Friday November 1st prepare for music, minions and mayhem. The Haunted Time Machine will be an event to remember as Broken Glow makes their official stage debut in Savannah, GA! The boys will be performing alongside Mysterium, an other-wordly international due channeling the spirits of Janis and Bonham, and Hyper Sapien, five dudes who rip funky through rapping soul. Expect psychedlic live video art from Planetary Projections, as well as a variety show at the beginning of the festivities. It is to be culmination of the Art March Savannah, where local artisans and others creatives will be displaying their talents throughout Midtown Savannah. There is no cover, so make sure to don your most twisted thread and join us at The Wormhole at 9pm for a night of netherworld time travel!

Shoreworld: Kill The Alarm LIVE and Broken Glow | The Aquarian Weekly

After watching Broken Glow rock The Legendary Dobbs in Philadelphia, PA this past December, John Pfeiffer reviews the band’s latest release “Watercolors” for The Aquarian. Note: the “prima donna” lead singer he refers to at the end of the article is from another band. We here at Broken Glow strongly advocate against primping, preening, and posturing of any kind, and are in strong support of beer-swigging, balls-out, don’t-give-a-fuck rock music. So go to brokenglow.bandcamp.com, get your free download of “Watercolors,” and judge for yourself whether or not Mr. Pfeiffer’s summation of the boys’ rock offering is apt.

Shoreworld: Kill The Alarm LIVE and Broken Glow | The Aquarian Weekly.